Lomo Redscale XR 50200 120 (single) Cape Film Supply
The Lomography Redscale 100 ISO 120 film makes it easy to achieve the redscale effect without having to do-it-yourself. Your photos will be bathed in golden yellow-orange tones so try Lomography Redscale 100 ISO 120 today! Photos Taken with the Redscale 100 ISO 120 Film
Lomography Redscale 120 (Single Roll) The Black and White Box
Lomography Redscale XR 120 ISO 50-200 - Pack of 3 - Lomography Do I have to ask the lab to take special precautions if I shoot this film with different ISO settings? Bathe your photos in glowing shades of red, orange, yellow and even cool blue - experiment with the extended ISO range to render different results.
Film Emulsion Review Lomography Redscale XR 50200 (35mm and 120)
Set the film to ISO 200. Like a bit of cool blue and green tones into your image? Set it as ISO 25. Either way, your images will exude a lovely retro feel. It's the perfect film to experiment with! Try the 35mm film for your Lomo LC-A+ and Diana Mini cameras, and the 120 variant for your medium-format Diana F+, Holga 120, and Lubitel 166+!
Steps to the ocean Lomo Redscale 120 + Mamiya 6 + 75mm f/3… alex
15455 5 By Irene Stylianou The Phoblographer called the LC-A 120 " the best street photography camera: film or digital ". I'm more than inclined to agree. It's definitely been my favourite medium format camera since it first came out back in 2015.
Holga, Lomo redscale 120 Squeakyrat Flickr
Lomography XR Redscale 120 utilises a quick creative quirk in film manufacturing to give you a dramatic new look for your photography!The clever techni.. Having used all of Lomo's films except the hard/impossible to source slide film, the XR was the last one to try. Used in my half frame Koroll 24S the films detail was up the usual high.
Lomography XR Redscale Film 120 film Analogue Wonderland
120 Film All your Lomography film favorites on medium format for a high-quality finish and juicy details that only 120 film can deliver. From vibrant color negatives to sophisticated black & whites, there is something for everyone. Shop By Multiple Exposure Film Type Focal Length Cable Release Film Format Development Process DX Code ISO Film Size
LOMOGRAPHY Film 120 Redscale XR 50200 pack de 3 (DESTOCK)
Lomography Redscale XR 50-200 is a film that you expose anywhere between ISO 200 and 500: the results depend on how you expose the film. Some are more normalized, others more random and super.
Lomopedia Lomography Redscale XR 50200 120 · Lomography
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Lomography Redscale XR Negative 50200/120 Lomo 7595712427
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Lomography Lomography Redscale 100/120 3 pcs Multicolor 365ist
Lomography Guide to Film: Shooting with Redscale Films · Lomography Once you've perfected the trick of making your own redscale films, you're finally ready to take photos with them. This quick guide covers the techniques you need to know to get the look you want to achieve out of redscale films.
Lomopedia Lomography Redscale XR 50200 120 · Lomography
RedScale Film by Lomography This is the world's very first pre-loaded and ready-to-shoot RedScale film - designed to re-cast your image in a sea of powerful and seriously intense red, orange, and yellow tones.
Lomography Redscale XR Negative 50200/120 Lomo 7595712427
Bathe your photos in glowing shades of red, orange, yellow and even cool blue - experiment with the extended ISO range to render different results.
Lomography Redscale XR Negative 50200/120 Lomo 7595712427
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Lomography Redscale XR Negative 50200/120 Lomo 7595712427
Lomography Redscale XR 50-200 is a 120 redscale film with an extended exposure range. This film washes your images with warm shades of red, orange and yellow—and even shades of cool blue, giving you tons of creative control and unlimited shooting possibilities. Technical Specifications. For use with 120/medium format cameras; ISO 50-200
Lomography Redscale XR ISO 50200 Film 3 rolls 35mm and 120 format
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Lomography Redscale XR 50200 120 3 pack BigaMart
Lomography's Redscale XR 50-200 is a unique color negative film that has been reverse-rolled for exposing through the base of the film, rather than directly to the emulsion, in order to produce dramatic red, yellow, and orange toned photographs. This film also features an extended sensitivity range of ISO 50-200/18-24° for greater latitude when shooting, and for greater control over the red.